The political novel of war 23
dignity '(351-2), and in Madrid, 1940. Memories of a young fascist us
say that 'In Catalonia we are on the 9,385 shot. It was the area
more dangerous and difficult to clean '(135).
Subversion, in these novels, is performed primarily by what
Javier del Prado called 'paradoxical writing', ie that 'has
as axis presentation of a truth that overrides what the status
quo admits as only truth '.7 The different narrators - the' intellectual
Franco 'Palomino, the anonymous narrator of Memoirs of a
Spanish fascist, Caudillo himself Autobiography of Franco, and Mariano
Armijo in Memoirs of a young fascist - to present as his ideal
the anti-Franco political (in the first novel) or fascism / Franco
(In the other three), decode the reality experienced in his youth and most
as an absolute goodness, so that contradictions and falsehood
traslucen through all his words. The idea of nation, community,
collective and personal virtue are as wrong as any reader
minimally attentive quickly detects the contradiction
claims.
The Memoirs of an intellectual Franco were published in
1972, and its protagonist, José Luis Amézqueta, professor of philosophy
removed from his chair in the Spanish university teaches at United
States since 1965. He has written his memories, and the publisher that publishes
is glad 'to have at hand the secular saint, the cult rebel'
an 'intellectual Franco, nightmare and glory Regime
International '(23). Young University in 1936, he enlisted in the troops
nationalists, but it was Falangist or requeté or provisional lieutenant.
He fought as little as possible, not to kill Spanish, and then refused to go to
Russia in the Blue Division. I wanted to work to expand the Regime
make it more democratic, but was not allowed, in college wanted
'Spanish to adults, free, with brains' (244) and poured by
activist. The maverick 'nightmare and uncomfortable figure Regime
of what some have called Opposition '(200), boasts
being different from the victors. Progressive Catholic is declared,
write an essay on Unamuno scandalous, defends freedom and
democracy, and eventually decide to take an air outside
Franco, resemble his caricatura.8 Then, remembering the war,
think, 'now you're the red' (363); has naively expected during
thirty years 'this fall' (425).
The bestselling novel achieved by Palomino at the time
publication, both for its provocative title as the
known personality of its author, proposes a prototype of
which claims to be superior to others for its ability to be neutral
amidst all political conflicts, to judge everything with complete
equanimity. But at the same time is a caricature of the liberal, the man who
wants 'to create democracy' (353), who fought several Spanish first
with the Nationals but soon became disillusioned and formed part of the
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opposition to the regime, those intellectuals who wanted the
modernization of Spain and ended up as teachers in the United States,
seven months living there and the rest of the year at home. It has a
soaring claims' I was a force, I could move her forces
higher youth could move '(258). His statements demonstrate
proud that exceeds the limits, as judged by the phrases
already quoted: 'secular saint', 'rebel cult', 'intellectual Franco,
nightmare regime and international glory '. And we could also add
this one: 'I had the unequivocal proof that I was abroad
Spanish intellectual considered the most qualified to perform in
the country a research socio-economic '(315). A pride
added their disdain, their contempt for the lowly, his lack of
democratic spirit, his false conception of Catholicism all makes
very disagreeable, unworthy of admiración.9
In Memoirs of a Spanish fascist, the narrator of Fernando Gonzalez
- Unnamed narrator, unlike the Palomino - it is' not a
intellectual, or an executive, not a politician ', but an ordinary man,
'One of the few Spanish, row, still not ashamed to be
Fascist, understanding that implies a sense of nationhood '(ll). Was
Falange during the war, fought with the Blue Division and then the
German Army. He watched the paths of Spain were not dreamed
for him and says he died in 1956, but really did not commit suicide
until July 18, 1976, after Franco's death. She believed in the
real possibility of the victory of fascism has played and lost,
he can not live with the reformists who claim to forget all
virtues of Franco. The first narrator of the text, gives it to
publish and write the foreword, says that it is not a text
humorous, neither cruel nor a complete and orthodox version of the recent
history of Spain, but the protagonist is so childish and gullible, as
exaggeration, I can not even seem plausible. Look at their
first words: 'Nothing compels my silence, at the Valley of the
Fallen that much love has locked, the head rests ... I believe in violence
honestly exercised by those with the pure soul and mind fixed on
the supreme good of the Fatherland ('Credo', emphasis added). Is one
full agreement with all acts, even the most reprehensible of
victors against any up and over all expired (29, 73, 203),
purification in the concentration camps (37), reports the
brutality of all kinds often repeated his total faith in Franco (182).
Highlighted here all the topics of Franco: love the Caudillo, the
value of which went to Russia with the Blue Division, the honor of dying
for the defense of fascist values, the horror of communism, the
Masonry, liberalism, democracy, etc.. etc. But it is known that
persuaded fascists never disagreed with Franco, and
the character confuses the two ideologies: while describes itself
same as fascist, moreover says: 'It is shocking, even now,
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